[{"@context":"https:\/\/schema.org\/","@type":"Article","@id":"https:\/\/www.j-st.sk\/1812-vystava\/#Article","mainEntityOfPage":"https:\/\/www.j-st.sk\/1812-vystava\/","headline":"1812 \u2013 v\u00fdstava","name":"1812 \u2013 v\u00fdstava","description":"Ikona Z gr\u00e9ckeho slova „eik\u00f3n“, v preklade obraz N\u00e1bo\u017eensk\u00fd obraz so sakr\u00e1lnym mot\u00edvom Svoje korene m\u00e1 e\u0161te v Byzancii Dnes je vyu\u017e\u00edvan\u00e1 a uctievan\u00e1 najm\u00e4 vo v\u00fdchodnom obrade (tzv. gr\u00e9ckokatol\u00edcka cirkev) a v pravosl\u00e1vnej cirkvi   Tvorenie ikony Ikona sa nema\u013euje ani nekresl\u00ed, tvorbe ikony sa hovor\u00ed p\u00edsanie Autorom je ikonopisec Zvl\u00e1\u0161tnos\u0165ou je, \u017ee pri p\u00edsan\u00ed ikony sa …","datePublished":"2024-02-20","dateModified":"2024-02-20","author":{"@type":"Person","@id":"https:\/\/www.j-st.sk\/author\/#Person","name":"","url":"https:\/\/www.j-st.sk\/author\/","identifier":1,"image":{"@type":"ImageObject","@id":"https:\/\/secure.gravatar.com\/avatar\/6196ab3290f0588684cbf95ce4767834b8315bcb507f63d5b017eaff100340dd?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/6196ab3290f0588684cbf95ce4767834b8315bcb507f63d5b017eaff100340dd?s=96&d=mm&r=g","height":96,"width":96}},"publisher":{"@type":"Organization","name":"j-st.sk","logo":{"@type":"ImageObject","@id":"\/logo.png","url":"\/logo.png","width":600,"height":60}},"image":{"@type":"ImageObject","@id":"https:\/\/www.j-st.sk\/wp-content\/uploads\/img_a294735_w16566_t1545066481.png","url":"https:\/\/www.j-st.sk\/wp-content\/uploads\/img_a294735_w16566_t1545066481.png","height":0,"width":0},"url":"https:\/\/www.j-st.sk\/1812-vystava\/","about":["Kult\u00fara"],"wordCount":536,"articleBody":"\t\tIkona\t\tZ gr\u00e9ckeho slova „eik\u00f3n“, v preklade obraz\t\tN\u00e1bo\u017eensk\u00fd obraz so sakr\u00e1lnym mot\u00edvom\t\tSvoje korene m\u00e1 e\u0161te v Byzancii\t\tDnes je vyu\u017e\u00edvan\u00e1 a uctievan\u00e1 najm\u00e4 vo v\u00fdchodnom obrade (tzv. gr\u00e9ckokatol\u00edcka cirkev) a v pravosl\u00e1vnej cirkvi \t\tTvorenie ikony\t\tIkona sa nema\u013euje ani nekresl\u00ed, tvorbe ikony sa hovor\u00ed p\u00edsanie\t\tAutorom je ikonopisec\t\tZvl\u00e1\u0161tnos\u0165ou je, \u017ee pri p\u00edsan\u00ed ikony sa ikonopisec v\u00e4\u010d\u0161inou modl\u00ed za t\u00fdch, ktor\u00ed sa pred \u0148ou bud\u00fa modli\u0165, alebo na \u0148u bud\u00fa pozera\u0165\t\tZ\u00e1kladom je vyrovnan\u00e1 dreven\u00e1 doska r\u00f4znych rozmerov pokryt\u00e1 ve\u013emi jemnu\u010dk\u00fdm pr\u00edrodn\u00fdm pl\u00e1tnom z \u013eanu, alebo bavlny, na ktor\u00e9 sa nanesie podkladov\u00e1 zmes z r\u00f4znych l\u00e1tok\t\tPri vz\u00e1cnych ikon\u00e1ch sa na pozadie nan\u00e1\u0161ali pl\u00e1tky zlata, pri menej v\u00fdznamn\u00fdch ikon\u00e1ch sa na pozadie naniesla \u017elt\u00e1 farba, alebo pigment\t\tV minulosti sa vyu\u017e\u00edvali najm\u00e4 pr\u00edrodn\u00e9 pigmenty zmie\u0161an\u00e9 s vaj\u00ed\u010dkami, v\u010del\u00edm voskom \u010di in\u00fdmi surovinami, dnes sa p\u00edsanie ikon sp\u00e1ja s temperami\t\tPo nanesen\u00ed farieb sa ikona pop\u00ed\u0161e (textom)\t\tPo vytvoren\u00ed sa obraz zaist\u00ed lakom, pr\u00edpadne hor\u00facim plechom, aby sa farby prir\u00fdchlo nezo\u0161\u00fachali\t\tnavrchu sa pou\u017e\u00edvali ochrann\u00e9 kryty, ktor\u00e9 boli zhotovovan\u00e9 zo vz\u00e1cnych kovov zdoben\u00fdch drahokamami, ak i\u0161lo o v\u00fdznamn\u00fa ikonu, alebo z medi \t\tTvorba dreven\u00fdch ikon a p\u00e1r faktov o nich\t\tAutorom ikon z Malojaroslavova je Sergej Perunov\t\tMot\u00edvom diel s\u00fa najv\u00e4\u010d\u0161ie kres\u0165ansk\u00e9 sviatky a prik\u00e1zan\u00e9 sviatky\t\tIkony s\u00fa v\u00fdnimo\u010dn\u00e9 technikou tvorby, lebo s\u00fa v\u00fdlu\u010dne z dreva – vznikli teda rezb\u00e1rskymi technikami, z ktor\u00fdch zauj\u00edmav\u00e9 s\u00fa napr.:\t\tintarzia, t.j. vkladanie r\u00f4znych druhov dreva do z\u00e1kladn\u00e9ho, v tomto pr\u00edpade dreven\u00e9ho, materi\u00e1lu\t\tmarket\u00e9ria, alebo inak Boulleova technika, zalo\u017een\u00e1 na intarzii (t.j. vkladan\u00ed)  ozdobn\u00fdch dreven\u00fdch a in\u00fdch materi\u00e1lov (slonoviny, kost\u00ed, ale i medi a c\u00ednu) do dreven\u00e9ho podkladu, pri\u010dom sa jednotliv\u00e9 materi\u00e1ly vyrez\u00e1vaj\u00fa a sp\u00e1jaj\u00fa tak, \u017ee sa z nich tvor\u00ed ak\u00e1si dreven\u00e1 mozaika \t\tP\u00e1r faktov o v\u00fdstave\t\tIkony poch\u00e1dzaj\u00fa z expoz\u00edcie, ktor\u00e1 sa konala v roku 1812 v Malojaroslavskom vojensko-historickom m\u00fazeu v Rusku\t\tP\u00f4vodne putovala v\u00fdstava do partnersk\u00e9ho mesta Malojaroslavov – Hal\u00ed\u010da\t\tV\u00fdstava na Slovensku sa za\u010dala v Bratislavskom Ruskom centre vedy a kult\u00fary\t\tCie\u013eom je v\u0161ak jej putovanie, najm\u00e4 po mest\u00e1ch v\u00fdchodn\u00e9ho Slovenska \t\t\u00dalohy pre V\u00e1s\t\tNav\u0161t\u00edvi\u0165 m\u00fazeum v Bratislave\t\tAk nem\u00e1te \u010das na hlavn\u00e9 mesto, n\u00e1js\u0165 najbli\u017e\u0161ie mesto, do ktor\u00e9ho v\u00fdstava poputuje\t\tN\u00e1js\u0165 si \u010das a nav\u0161t\u00edvi\u0165 v\u00fdstavu\t\tVzia\u0165 aj svojich priate\u013eov\t\tPo jej absolvovan\u00ed ju odporu\u010di\u0165 \u010falej – nebojte sa, je tak v\u00fdnimo\u010dn\u00e1, \u017ee ur\u010dite bude st\u00e1\u0165 zato!                                                                                                                                                                                                                                                                                                                                                                                        3.9\/5 - (13 votes)  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